The Four Blues | de

Natalia Lafourcade (born Natalia Lafourcade Silva on 26 February 1984 in Mexico City, Mexico) is a Mexican pop-rock singer and songwriter. Her band's name is Natalia y La Forquetina. Since she was very young, Natalia had a great interest in music, partly because her parents were musicians (her father is the French-Chilean musician Gastón Lafourcade). At three years old she began to sing and at four, she realized that she wanted to be an artist. She attended Instituto Anglo Español, a Catholic middle school. In her childhood and adolescence she studied painting, flute, theater, music, acting, piano, guitar, saxophone and...

In the last year, London-based producer Ilan Bluestone has gone from unknown newcomer, to one of the most promising new acts on the international dance music scene. He discovered his love for music at an early age by self-teaching guitar and keyboard, which resulted in a passion for that 'progressive' sound he builds on today. With recent releases "Namaste" and "Capetown" on Anjunabeats, Bluestone has become a permanent fixture in Above & Beyond's recent DJ sets as well as gaining comprehensive support from other international DJ's including Tiësto, Arty, Gareth Emery and Myon & Shane 54. "Capetown" received an overwhelming...

Musical groups in three genres have shared the name The Four Aces. 1. The Aces, initially known as "The Four Aces" were a Jamaican vocal group who are best known for their work with Desmond Dekker, but who also recorded without him. The initial line-up of the Aces was Clive Campbell, Barry Howard, Carl Howard, and Patrick Howard. The group came to the attention of Dekker, who supported them when they auditioned for Leslie Kong at Beverley's studio in 1965. The producer employed the group as backing singers for Dekker, recording many hits with him including "The King of Ska"...

Die FOUR HORSEMEN gehörten zu einer Reihe von Bands, die sich in der Tradition diverser 70er-Bands sahen und vor allem, die eine dreckigere Form der 80ies-Hair-Bands waren. JUNKYARD, LITTLE CEASAR etc. als Beispiel. Von den mega-gehypten GUNS 'N ROSES nicht zu sprechen. Für das Scheitern all dieser Bands gibt es einige (gute) Gründe: 1. Business: Der oben angesprochene Aufschwung hatte keinen langen Bestand. Grunge kam (bzw. war schon da) und damit verloren fast alle "echten" Rock & Roller ihre Plattendeals. Wie es so oft schon geschehen ist, die Industrie setzte mal wieder auf die Karte des totalen Overkills und überflutete...