Paul Oakenfold feat Matt Goss | ms

British synth player, born December 10, 1958. Enjoyed success on the underground dance scene in the early 80's before breaking into the mainstream with "19", an international smash which spent five weeks at number one in the UK. In the latter half of the 1980s he specialised in TV soundtrack work. He made the theme tunes for Top of The Pops and Saturday Live, popular British entertainment shows. Paul now records mainly under the pseudonym Jazzmasters. Early tracks of note include the popular 'Rain Forest' and 'King Tut', both were big dance hits in the U.S. Paul was also half...

Born and raised in LA to parents very involved in the music business, Paul Brown first began playing drums at the age of five. Although a very talented musician in has own right, he is best known as a Grammy winning producer / engineer having worked with just about everybody of consequence in the jazz world. These include Norman Brown, Peter White, George Benson,Boney James, Luther Vandross, Euge Groove, Jeffrey Osbourne, Larry Carlton, Al Jarreau, Bobby Caldwell, Patti Austin and Kirk Whalum to name but a few ! So it should come as no surprise to notice that whemever he...

There are two artists that have used the name Memphis May Fire: 1) A rock band from Dallas, Texas. 2) A heavy metal band from Baltimore, Maryland. Memphis May Fire is an American metalcore band currently based in Dallas, Texas. Since its formation, the band has released two EPs and four full-length albums, the latest being Unconditional which was released March 2014. Their music has been compared to Underoath and He Is Legend. The band formed in December 2006, but it was not until February 2007 that the group decided on the name Memphis May Fire having previously gone by...

Paul Desmond (1924-1977) was a U.S jazz saxophonist. Desmond was born Paul Emil Breitenfeld in San Francisco, California on 25th November 1924. He came to prominence with the Dave Brubeck Quartet, which lasted from 1951 until 1967. Desmond wrote their biggest hit, "Take Five". Desmond's alto saxophone tone and technique owed nothing to the great alto player of the time, Charlie Parker; instead his was a clear, light, floating sound and highly melodic playing style. Much of the success of the classic Brubeck quartet was due to the superposition of his fragile, airy sound over Brubeck's sometimes relatively heavy, polytonal...

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