Kinny (Ft Nostalgia 77) | nl
There are several bands named Nostalgia:
1) Nostalgia is a project from Belgium, formed by Rüdiger Gleisberg and Mathias Grassow in 2000. Their sound is a crossbreed of darkwave and ambient. More info can be found at www.nostalgia-project.com
2) Nostalgia is a dark ambient / industrial project from United States, started in March of 2005, lead solely by Mark Hunter. Their discography includes: "Funereal Rituals" (demo), "The Aesthetics of Death" (demo), "Axis I / Seasons of Decay" (split with Ceberus), and "Infestation" mCD. More info can be found at http://www.myspace.com/nostalgicfuneral or nostalgia.mercurous.net
3) Nostalgia is a high school rock band...
1) English Band known for their underground semi-hit "Failure" a regular staple on the then Xfm (pre capital take over) playlist. The song was re-released several times over following years in a bid to win appeal, but Skinny sadly disbanded somewhere around 2001. With a mixture of electronic house and 60's rock, they had a connection to Faithless by sharing a band member, and being released on the 'Cheeky' record label. Funny lyrics yet sometimes serious.
2) Swedish synthpop act. Released the album "Det lyckliga livet" in 2001.
3) Producer/musician from Newbridge, Ireland who has produced material for bands crossing...
Tuba Skinny of New Orleans, Louisiana has played traditional Dixieland Jazz and Old Blues songs under the name Tuba Skinny since 2009. They're cousins of Loose Marbles, as is Baby Soda in NYC. These groups have interchangeable players and it is a joy to witness these youngsters spreading the word about the New Orleans music.
They have three albums, 'Tubaskinny' (2009), 'Six Feet Down' (2010) and 'Garbage Man' (2011), all of which can be streamed for free and are also available for download on their Bandcamp page. .
Skinny Patrini is a polish audiovisual duet coming from 3-City (Gdańsk, Gdynia, Sopot), duet of two friends Michał "Skinny" Skórka who's responsible for all of the instruments and a vocalist Anna Patrini. .
