Gatos Bizcos | en

Los Gatos was an Argentine rock band, often cited as founding members of Spanish-language rock in the late 60s. In 1967, they released their first single, the double A-side "Ayer Nomás"/"La Balsa", which became a surprise hit, selling over 200,000 copies. Their self-titled, full-lenght debut album was released later that same year. After a touring the Southern Cone in 1968, Los Gatos released their second LP, "Seremos Amigos" featuring a psychedelic rock sound. The band's third effort following a brief hiatus, 1969's Beat N°1, featured renowned guitarist Pappo as a new addition to the band's line up. His blues influence...

Hailing from Seattle, Washington state, Los Gatos Locos, fronted by Charlie Splatterhead. Some of the best American psychobilly around, with lots of old skool influences. .

Os Gatos were one of the best-loved bossa nova groups of the mid-'60s, despite only recording two albums. An all-star conglomeration, the band included leader and guitarist Durval Ferreira pianist Eumir Deodato, bassist Sergio Barroso, and drummer Wilson das Neves. Deodato's excellent arranging skills helped make Os Gatos' self-titled debut an important album in the history of Brazilian pop. Aquele Som Dos Gatos followed in 1966, and though it was the band's final record, each member continued to make inroads in the jazz/samba scenes of both Brazil and America during the 1960s and '70s (Deodato and Das Neves especially). Neco...

Nothing can be said about this band. They don't even have a band name. They simply say when asked, "Somos los gatos negros," ("We are the black cats") because they are black cats. Sometimes, in different cities, the cats look different. Maybe it's just the water, but no one knows. If you have any questions about this band, you should forget about them. .

Ciro Fogliatta Basilio "Turco" Adjaydie Guillermo Romero Juan Carlos "Chango" Puebla Litto Nebbia Pioneering rosarina band of the Argentine Rock. Originally baptized the “Wild Cats”, in 1964 they sang in English in celebrations and like teloneros of groups arrived from Buenos Aires. In the repertoire they were the songs of Chuck Berry and Elvis Presley. Little by little, and with the arrival of Litto Nebbia, they went incorporating own subjects (as much in English as in Castilian), until alternating a style to The Hollies, The Beatles and The Animals closest. At the beginning of 1965 they arrive at Buenos Aires...