We all know how easily inovations are accepted in contemporary art. A capricious predilection for the new is one of the paradoxes of our culture. Adherence to novelty and enmity to past forms is common to other social phenomena. In art as in technology, when an object is being created, consideration is given to the time limits of its service and its obsolescence . This is a cultural phenomenon of our consumer society.
However, while admitting the dependence on social, economic and other conditions, one wishes to examine art from the position of more permanent values. .
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