L Daniels | pl

Daniels is a singer, guitarist, and fiddler, who began writing and performing in the 1950s. In 1964, Daniels co-wrote "It Hurts Me" (a song which Elvis Presley recorded) with Joy Byers. He worked as a Nashville session musician, often for producer Bob Johnston, including playing Electric bass on three Bob Dylan albums during 1969 and 1970, and recordings by Leonard Cohen. Daniels recorded his first solo album, Charlie Daniels, in 1971 (see 1971 in country music). He produced the 1969 album by The Youngbloods, Elephant Mountain and played the violin on "Darkness, Darkness". His first hit, the novelty song "Uneasy...

Star 69 is the name of a band headed by Julie Daniels, who released a single full-length album and a number of eps in the late 90s. Julie contributed a single "You Should Know" for Disc 2 of the compilation album "Acoustic Vol 1", released in February 2002. .

Eugene McDaniels (February 12, 1935 – July 29, 2011) — vocalist, lyricist, fearless social commentator, and composer of massive hits such as “Compared to What” and “Feel Like Makin' Love”—is back. Sample-hungry DJs have been snapping up 30+ year-old vinyl copies of his Joel Dorn-produced, futuristic folk/funk/gospel/jazz fusion LPs (Outlaw and Headless Heroes of the Apocalypse) for quite some time now. Besides offering sweet soul, unusual arrangements, and seriously funky beats, McDaniels' raw nerve approach to socio-political matters on tunes such as “Love Letter To America,” “Supermarket Blues,” “Headless Heroes of the Apocalypse” and “Freedom Death Dance” made him a...

David Karsten Daniels is a Dallas-based songwriter by way of Alabama, North Carolina, Oregon, and San Francisco whose music relays a personal history of diverse musical experiences - among them, a childhood of hymn singing, membership of a high school jazz band, and a formal university training in composition, theory, free improvisation, and performance art. For several years, David travelled throughout Texas and France recording quietly in small rooms, where his formal training began to give way to four-track experimentation, juxtaposing the phase pieces and improvisation of his academic life with lo-fi acoustic compositions. This itinerant approach to recording produced...