FK | pt

Futuristically Classy, Vincent Fenton, French Kiwi Juice. Better known by the abbreviation FKJ, has mastered the sound of sophisticatedly, smooth electronic music. With serene sounds perfect for posh settings, FKJ with his strong catalogue of tracks has found himself on repeat in the dwellings of all Roche Musique alumni. Lying together his first track to hit the charts is built off of a mellow, heartfelt sample, and leyered with classic electronic keyboards, and a beautiful guitar bass. This is music that you can groove to, youth tested and elder approved. Be on the lookout for more music from FKJ at...

The Priceduifkes started out back in 2003 as a two piece, watching gayporn and playing blink-182 covers with neither a drummer nor a singer. Now, 7 years later, they happen to have become the biggest sensation in the Belgian punkrock scene, with Ricky still not able to play his bass, Mambo still not knowing when to stop drinking before a gig and VS still ugly. They bring you punkrock the way punkrock was meant to be brought, with 3 chords and a bad attitude. A bad attitude and songs about Star Wars. Yeah. .

chefkirk is Roger H. Smith. Working under the inclusive category of experimental noise, chefkirk creates distinctive compositions of sound by combining together improvised drone and harsh electronics forced from a minimal arsenal of glitchy instruments and feedback loops. Being a socially and politically conscious citizen of the world, chefkirk illustrates his deep concern and love for all living things through the artwork, titles, and modest messages on his numerous releases. The whole of his work will unquestionably carry his personal message loudly: animals are not ours to eat, wear, experiment on, or use for entertainment, GO VEGAN! chefkirk makes his...

Since 1984, Thomas Loefke has developed his own performing and musical style, and have toured across Europe, Canada, and the USA, performing from sounds of the Celtic Middle Ages, the centuries-old music of Ireland’s nomadic bands, and the lively dances of Irish folk music to his own original compositions, each of Thomas’ works has its own special sound, texture, atmosphere, and story to tell. Thomas has recieved numerous international awards, including the first prize at the O’Carolan Harp Festival in 1987. Since that year he has been working together with Scottish guitarist/composer Ian Melrose. They both produced Thomas’ second CD,...