Siks, PØP CULTUR | tl

Jesus Culture began in the summer of 1999, when the youth group at Bethel Church in Redding, California, led by Banning Liebscher, launched the first Jesus Culture conference. During this time they began leading worship at Jesus Culture conferences both nationally and internationally and thus the Jesus Culture band was formed. The band consists of Kim Walker-Smith (Vocals) and Chris Quilala (Vocals and Guitar) as worship leaders along with Jeffrey Kunde (Lead Guitar), Brandon Aaronson (Bass), Ian McIntosh (Keys) and Josh Fisher (Drums). The ministry has been called "one of the most significant Christian movements in post-war America". They released...

Culture Club was a popular 1980s pop group, perhaps most noticeable for their gender-bending frontman Boy George. The other members of the band were Roy Hay on guitars and keyboards, Mikey Craig playing bass and Jon Moss (ex Damned, London, Adam and the Ants) on drums. Their first album, 1982's Kissing to Be Clever, became a major international hit, spawning the hit singles "Do You Really Want to Hurt Me" (which went 'all the way' in the BBC-Charts in late 1982), "Time (Clock of the Heart)", and "I'll Tumble 4 Ya". Unique in his eccentric manner of dress and androgynous...

Cultura Profética is a Puerto Rican reggae roots band. Formed in 1996, they stand out as one of the most influential bands in Latin America, touring extensively in the biggest venues of the continent. This band with eight albums independently released, is composed of 12 musicians that achieve an excellent and very sticky musical fusion, with a base headed by a rhythm of traditional roots reggae mixed with harmonies of salsa, jazz, electronica, trip hop, ska, and afro-caribbean rhythms, amongst others. Their songs are lyrically inspirational and poetic, raising their voices on socio-political, cultural and environmental issues. Cultura Profética achieves...

Orbit Culture is a singularly impressive death metal band. This Swedish combo has a sound that uses a variety of powerful progressive elements to get a sound that often transcends death metal. Roaring and powerful there is an all-consuming rage to their new record “Odyssey” that you just don't get in that many bands these days. More than that, Orbit Culture are clearly all very gifted musicians. The riffs on this record are incredible twisting and turning to get an effect that captures the heart and showcases the never ending, soul wrenching madness of true death metal. The blazing blast...