Pagan | tr

For Russian band, see Пропаганда. 1) German synthpop 2) Spanish metal 3) Bulgarian crossover 4) Polish hard rock band 5) British DJ duo 6) Finnish gospel band 7) Greek anarchist political hip-hop band 8) Romanian alternative band 9) Italian NSBM band 10) American underground rapper 11) German rac band. German: The first Propaganda was a synthpop musical group formed in Düsseldorf, Germany in early 1982 by Ralf Dörper (a member of the German industrial band Die Krupps), Andreas Thein and Suzanne Freytag. The trio recorded some demos for future release. Journalist Paul Morley signed the band, with the inclusion of...

Pagan Altar formed in 1978 in Brockley, England. Alongside Witchfinder General, they are one of the few NWOBHM bands to play doom metal.[1] Although they were ignored by mainstream metal media during the early and mid 80s, their influence did not emerge until after the 80s incarnation had broken up. Their gigs were characterized by moody, epic and heavy music interpreted with highly visual stage aspect which accented their interest for occult themes. Pagan Altar's only release from that era was independent, self-released, self-titled album which was in later years often bootlegged. It was finally officially re-released on Oracle Records...

The Pagans are a punk band from Cleveland, Ohio which formed in 1977 and disbanded in 1979, with a 1986 reunion tour since. The original members included Mike Hudson, lead vocals; Brian Hudson, drums and backing vocals; Mike Metoff, guitar and backing vocals; and Tim Allee, bass. The second line up originating from 1982-1983 included Mike Hudson, lead vocals; Bob Richey, Drums; Mike "Tommy Gun" Metoff, Lead Guitar; Robert Conn, Bass, who now fronts Texas based Chelsea Hotel; Chas Smith, Keyboards. The Pagans made some seminal recordings for 7" singles and compilations like Six and Change, What's This Shit Called...

Bernays Propaganda from Skopje, Macedonia, has already written some interesting chapters in contemporary history of alternative music on Balkans. After hundreds of concerts, 4 albums and a tour of the USA, we can without a doubt say that they are one of the internationally most recognized bands from Ex-Yugoslavian region. They’re driven by an infallible kick and groovy bass lines, upon which layers of noisy and dis-harmonic guitar chords make room for a remarkable female voice, shouting socially engaged lyrics. Dance, clap, sing and celebrate civil disobedience, human rights and freedom. “Third most important Ex-Yugoslavian record from 1991 ‘till 2015”...