Lous | zh

Jealous is an independent english-language rock/hardcore band from Kaliningrad (Russia). They have self-released two EP's and a split record with Moscow hardcore-metal band My Endless Sky. Band is currently working on their debut album. You can listen and support Jealous here: www.jealous.fm Jealous was also a uk based Straight Edge Hardcore band from Northampton. They have released a 4 track demo CD and a 6 track 7" record on Double Crossed Records as well as a split record with The Romance. Their myspace is http://www.myspace.com/lessonlearnt members have gone on to be in Let It Die .
There are at least 3 artists who use the name Jealousy. 1) Jealousy - A House/Disco band led by Mani Hoffman. Jealousy was formed through collaboration with several artists. Hoffman also wrote and sung the massive dance track 'Starlight' by the The Supermen Lovers. Jealousy's most known song 'Lucy' was a Top Ten UK Airplay success & Top 40 UK Single, it also charted in various other countries including Top Tens in Spain, Italy, Germany & Australia. 2) Jealousy - Bio taken from discogs.com Ultracore/speedcore-producer from Bad Doberan, Germany. Former member of Mascha Records. Together with asbesTon (ex-Knieficker) he now...
Toulouse is the name of more than one artist 1) french indie pop 2) Swedish rock 3) Female disco trio from Montreal, Canada. .
Charles Alexander Clouser (born June 28, 1963 in Hanover, New Hampshire) is a musician whose activities include playing keyboard and drums, programming, engineering, and mixing. He was a member of the band Nine Inch Nails from 1994-2000, and has done remixes for artists such as White Zombie, Marilyn Manson, Rammstein, Prong, Killing Joke, and Splattercell. He provided the live synth for Alec Empire's "Intelligence And Sacrifice" tour in 2001. Two songs programmed by Clouser were nominated for Grammy Awards in 1997: White Zombie's "I'm Your Boogie Man" and Rob Zombie and Alice Cooper's "Hands Of Death (Burn Baby Burn)", the...
Evolution is a tricky word when discussing current trends in music, especially when it comes to sophomore albums. The critically lauded “BLOUSE,” the 2011 debut from the Portland band of the same name was a lush, melodic and dreamy affair spiked with whoozy synths and delicate vocals. For “Imperium,” their 2nd LP for Captured Tracks, Blouse have shed the synths, done away with drum machines and wrote and recorded with “instruments that don’t plug into the wall,” as enforced by bandmember/producer Jacob Portrait. Sonically speaking, that comes through on the LP immediately. Perhaps bolstered by the ongoing construction occurring next...